![]() The cabinet module was built using hundreds of impulse responses captured meticulously captured by Adam Nolly, no short cuts were taken there. There are 3 cabs to choose from, with distinctly different voicings, each sounding as good as the last, and complimenting each amp depending on the settings. Each mic dynamically adjustable, as well as fine tunable with the side adjustment controls, and it allows for up to 2 mics at one time. The included cab section is very robust, with a respectable selection of 6 mics. These 2 effects combined, or separate, are great for ambient cleans, psychedelic rock, and other application that may call for them. CHR adds another layer of Dimension to the tone and is very adjustable. I like setting it fairly low for a slow phase shift. PHSR is very simplistic, one control, much like the MXR Phase90. DRT is very similar to a Rat pedal, depending on the settings it can add some dirt to the signal, but it can also be used to add fuzz, from raunchy to a gnarly, brutal tone. OD is pretty standard, but great for tight boosted leads. Pre-Effectsįrom left to right there’s an Overdrive (OD), a Distortion (DRT), Phaser (PHSR), and Chorus (CHR) pedal. When utilized in conjunction with WOW, can sound massive, and sludgy (in a good way.) This combination also allows for a cool almost pipe organ effect when set correctly. It’s pretty cool for creating heavier, thicker tones. The OCT adds 2 independent octaves, -1 and –2 octaves below the dry signal. It works great, and it’s very easy to use, being that I don’t have a midi expression to utilize, I could only test using the mouse but in that regard with worked just fine, and I especially enjoyed using for creating crazy ambient tones.įatso mode allows for blending of the dry signal and the pitch signal, which is great for creating thicker sounds while pitch shifter but also has the benefit of helping with the tone chocking out when the pitch is set very low.īlade 1 is a standard pitch shift when in the default resting position is the dry signal, once the expression starts moving it changes shift, there’s no wet/dry adjustment.īlade 2 acts much in the same manner as blade 1 but at its highest setting reaches a higher pitch. The pitch shifter has 3 modes, and a wet/dry adjustment for fatso mode, as well as an expression pedal that can be moved using the mouse, but it can also be controlled via midi for real-time use. There are 2 effects, WOW, a pitch shifter, and OCT, an octaver pedal. The noise gate does a great job of keeping the noise levels in check, and is always at the top so it can be quickly adjusted when needed without changing modules. ![]() The input and output level controls have level indicators that make it easy to set gain staging. It lacks the “High/Normal” quality switch which means its running with optimum sound quality all the time without incurring the high demanding usually accompanied with it. The plugin overall, seems to be less demanding compared to previous Neural DSP products. ![]() The “Hot” amp is right there in all its glory, and the head cab selection menu at the bottom rounds it off. Very well thought out and laid out, with the component module menu across the top, and the plugin control just below. ![]() The GUI clean, black with white font, Icons, and controls, for an immaculate look. Opening Archetype Gojira, from the beginning its hard not to like it. Supports Mac and Windows in VST/AU/AAX as well as standalone format.Cabinet can be used as Dual Impulse Loader or bypass-able for Third party Impulse Loader.Post Effects including Delay and Reverb with shimmer effect.Pre-Effects including Overdrive, Distortion, Phaser, and Chorus effects.Pitch Effects including Pitch Shifter & Octaver.3 High quality cabinets covering from vintage to modern voicings.3 High quality Amplifier, modeled after Iconic amps used by Joe Duplantier of Gojira.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |